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When it comes to my own art, I never really felt like I had a style until fairly recently. If I were to describe my style it would be "evolving". It’s only the past year or so I feel like I've kind of figured it out.
Growing up in Taiwan, pursuing an artistic career was looked down upon, and I was often told by adults to study more practical subjects, or else I'll end up starving on the streets.
I would consider my style to be a fusion of Western & Asian influences, with an antique and vintage feeling to it.
In this age of information and social media where it feels like we're competing with everyone else by posting our work and creations every minute of every day, it's easy to get lost and forget what kind of art you want to do, what your art does, and what kind of artist you want to be.
"I sweat over my illustrations until it looks closest to the way I see it in my head"
My name is Sylvia Boomer Yang. I am an illustrator, animator and GIF artist based in Brooklyn. For my professional work, I create motion graphics, animated illustrations and storyboards for explainers, video series and apps...
I like layering textures and playing with lots of colours.
Becoming a mom called me back to painting.
Ed Cheverton is a Bristol based Artist and Illustrator. His work features collage, comics, zines and toys.
I am a first-generation Canadian artist working as an illustrator and a designer from my Montreal Studio. I work in a variety of fields using both of streams of expertise to create bright and colorful images for editorials, packaging and publishing, and more.
My style can be described as fine art photography: I see a continuity between painting and photography, and in some ways, photography is painting's younger sister. Paintings, more than photos, are my main reference when I plan-shoot-retouch a new project.
My name is Titika Røtkjær; I am an artist from Copenhagen, Denmark. My knowledge about photography and editing comes from continuous self-education.
My style is heterogeneous. Painting and colleges are very different, but they have one thing in common: they are soothing. When I'm tired of painting, I make collages and vice versa. One area is a temporary escape from the other.
My name is Marc David Spengler, I'm 25 years old, and I'm living in a suburb of Stuttgart, Germany. Since I was a little child, I've always been drawing a lot. I remember when I was in fifth grade, I wrote that my career aspiration was to become a car designer.
Àngela Maria Sierra, a Spain-born artist portrays true self and things that she is feeling. It's reflected in figures with rich emotional lives full of sensitivity, ease, and joy.
How do great automatic drawing artists come up with ideas when they are creating? And what are the steps in their creative process that enables them to bring those ideas to life?